Portfolio — Reel 00 / Master
Jeret Christopher.
Design. Code. Words. I'm a UI/UX designer, Claude Code builder, and writer working out of the Klang Valley, Malaysia - three disciplines run on one signal, cut together like a film.
Seventeen years in IT, a CEH certification, and a habit of keeping a terminal open in one window and an unfinished manuscript in the other. I design interfaces that move like film, build the quiet automated systems that run behind them, and write the words that hold the whole reel together.
Interfaces with a sense of pace
UI/UX design built like a cut sequence - grid, rhythm, and just enough restraint to let the work breathe.
I design and build carousel systems and cinematic web experiences - work that's meant to be watched as much as used. The Editorial Carousel Bundle packages four of these into a licensed component set: Lumière's Swiss-grid precision, The Editorial's typographic calm, Film Reel's frame-by-frame motion, and Noir Folio's high-contrast restraint.
The same eye for pacing built The Collective - a trio of cinematic tribute sites for Jules Verne, Nikola Tesla, and Harry Houdini, each with its own animated signature: a rotating Tesla coil, a tarot-card interface, a hand-set title sequence.
Systems that run themselves
Claude Code in one panel, a pipeline running in the other - automation built to keep working after I close the laptop.
Most of what I build now runs through Claude Code - from CLI-driven feature builds to full pipelines that discover, enrich, and pitch on their own. Folio is the clearest example: an automated domain-outreach platform that combines Apify for discovery, Firecrawl for enrichment, Abstract API for email validation, and Claude for personalised pitch generation, with Telegram alerts and a live Vercel dashboard.
The same systems-first approach shaped PropAssist, a multilingual property AI app (English, Bahasa Malaysia, Mandarin) built for a working property agent, and TaskProxy.ai, a small constellation of domains forming a sovereign AI orchestration brand. A CEH background means the security side of these systems isn't an afterthought.
Stories first, interfaces second
Every system I build still needs a voice - copy, narrative, and the kind of pacing that comes from writing fiction.
My debut novella, The Heavy Shadow, is where the writing started - a supernatural noir following Kasra, a "Walker" who slips out of his skin to navigate the Grey, London's spectral margin. It still sets the tone for everything else: the same instinct for atmosphere, restraint, and pacing carries into the copy, narrative arcs, and on-page voice of every interface and tribute site I build.
The book even has its own original soundtrack - because every shadow has a frequency. Music and fiction sit in the same discipline as design and code for me: composition, restraint, and knowing exactly when to cut.
Field log
A working log of recent builds - across design systems, AI pipelines, and the occasional cinematic detour.